OR EDU

Oksana Yushko

Freelance photographer, started working as a professional journalist in 2006, based in Moscow
Higher education in computer science and mathematics

2010 one of the three finalists of Conscientious Portfolio Competition
http://jmcolberg.com
2010 group exhibition of young russian photographers ADVANTAGE, Metenkov House Photo Museum, Yekaterinburg
2010 finalist of the competition Man and Sea, group exhibition during II International Festival of photography PHOTOVISA in Krasnodar, Russia
2010 finalist of the Young Photography competition with the photostory 'Kenozero Dreams', exhibition in FotoDepartament Gallery, St.Petersburg
2010 finalist of 'The Aftermath Project' with a collaborative work 'Grozny:9 cities' http://www.theaftermathproject.org
2010 exhibition of documentary based multimedia 'Projections of Reality' with the multimedia project "Majnum and Rahma' about Tadzhik migrants, Moscow, Red October http://projectionsofreality.org
2009 became a member of 'Verso Images' - first Russian collective of five emerging documentary photographers http://www.versoimages.com
2009 'Visions of reality' exhibition with the multimedia project "Majnum and Rahma' about Tadzhik migrants, Mel Gallery, Moscow
2009 'Foto in motion. Vol.2.' CD release on the subject 'Youth: self-discovery' with the multimedia project "Majnum and Rahma' about Tadzhik migrants, presentation during St. Petersburg Summer Festival of Photography in FotoDepartament Gallery, St. Petersburg
2008-2010 Objective Reality Foundation online workshops in photography and multimedia by Lucian Perkins, Jury Kozyrev, Bjarke Myrthu, Michael Regnier and others http://edu.objectivereality.org/en/
2008 top-10 winner of the competition 'Young photographers of Russia' with a photostory from Istanbul, group exhibition in Nizhny Novgorod, Russia
2008 winner of the competition 'Without Barriers' devoted to disabled people, exhibition in FotoSoyuz Gallery, Moscow
2007 people choice award in the Silver Camera competition about Moscow with a series 'Moscow. Rain', exhibition in the Manezh Central Exhibition Hall, Moscow
2006 top-10 winner of the competition 'Young photographers of Russia' with a series 'Frozen souls', group exhibition in Nizhny Novgorod, Russia
2006 finalist of the Silver Camera competition about Moscow, exhibition in the Manezh Central Exhibition Hall, Moscow
2005 top-10 winner of the competition 'Young photographers of Russia' with a reportage about the Young pioneers in Russia, group exhibition in Nizhny Novgorod, Russia
2005 became a member of the Russian photo-artists Union
2005 graduated from the school of journalism Izvestia
Exhibited in several major galleries in Moscow and other Russian cities.
Selected publications:
Russian Reporter, Expert, Russian Newsweek, Ogoniok, Kommersant, Foto&Video, The St.Petersburg Times, RFE/RL, The New York Times, Guardian (UK), Stern (Germany), Mare (Germany), Le Point (France), La Vanguardia (Spain), Helsingin Sanomat (Finland)

Portfolio

Consumerism (project proposal)

I am interested to start working on a project which is exploring the conception of consumerism or consumership.
A lot of people all over the world use as much of the world’s goods as possible, always run after the latest product, throw things that go out of fashion, constantly need more and more.
Whether they are happy or not depends on having got things they want. Isn’t that strange?
People are underneath many passions and consumerism is one of them.
They become hostages of TV advertisement and general stereotypes. Friends with their own views and beliefs impose things on them every day, every hour. They are caught in the substitution of values flow.
One of the main reasons for consumerism in Russia is a previous life during the Soviet era. The Soviet Union had been always associated with the notion of system and life based on the precise planning. Food rationing, empty stores replaced by an exaggerated interest to shopping.
I am really worried about people, they are becoming more and more dependent on things.
And I want to explore with my photographs the different aspects of it.
Via this photoproject I am going to study the changes that have happened in Russia during the recent years. Photography for me is just a tool to study the world; photography is a great instrument for this.

Response to Assignment First assignment

Grozny: 9 cities by Olga Kravets, Oksana Yushko, and Maria Morina

Grozny, the capital of war-torn Chechnya, is a melting pot for changing Сaucasus society - the society that is trying to overcome a post-trauma shock of two recent wars and find its own way of life in between traditional Сhechen values, Muslim tradition, to cope with rapidly changing role of a women, increasing contrast between rich and poor and political games.

We generated the idea of the project, being inspired by the idea by Thornthon Wilder's about 9 cities hidden in one, that we found in his book "Theophilus North". The main character of the book is making sort of anthropological research of a city looking for different aspects of its life. We felt it's what we need to explore such different aspects of afterwar life that Chechens are leading.

We've already spent almost 3 weeks in Grozny in November 2009, having started the work on the project (Olga Kravets is off to Grozny for New Year holidays as well, to carry on the shoot), and we've already figured out what our six cities would be. May be we will never find namely nine cities here, or may be we will show even more, because Grozny is the only place in Russia, which has been destroyed and rebuilt so many times, every time getting a new layer of existence. Chechens themselves say that they are used to having war every 50 years, and rebuilding their houses they know for sure that at some point they will be destroyed again.

First city is a modern city that one can find in downtown Grozny. It shows the aspiration of everyone to have a decent home and a normal life again, but in fact it's not what it seems from the first glance. Even though the authorities now are trying to present Grozny as a totally rebuilt, brand-new place, you still get advice not to come out at night (especially if you are a woman), and when one drives outside of downtown Grozny, it's still easy to see the destroyed houses, and their owners have to live in temporary housing facilities, which are either summer houses without heating or dormitories, where families of five or six people live in rooms of 20 square meters. Federal military forces are interested in carrying on security operations (the so-called cleanups), because they are paid extra for killing rebels, so in many cases they kill innocent people, who can not prove their innocence. The Chechen society is clan society, so people bare responsibility for the family members, who really become rebels, and so the presidential forces burn their houses down at the order of Ramzan Kadyrov, former warlord, who is now Moscow-backed regional leader.

Second city is the city of women. Chechen society is very traditional, but during the wars women's role changed dramatically. They acted as real heroes during two wars and now they want to carry on with it, opening their own businesses and leading in families, where husbands' psychic is so destroyed that they have no mental strength. But still, they are treated mainly as sexual objects, and for instance the violent tradition of kidnapping a bride is only seeing a revival after the war, because in many ways men feel that everything is allowed.

Third city is the opposite - the city of armed men. Even though Ramzan Kadyrov loves to say that the war in Chechnya is long over, almost everyone on the streets of Grozny carries a gun and wears the uniform. It's no longer the city that only belongs to federal forces, but the guns remain the symbol of instability. Also, to have a gun for a young man is the same way to show off such as a car for Western boys.

The fourth city is the city formed by the sequence of two wars. It's the city of pain, destruction, fear and aggression. People living in temporary housing facilities are angry that noone is paying attention to their problems anymore, because the officials love to say so much that the war is over. Mothers still mourn death of their children, no matter if they were civilians or rebels. The memories still hurt and the traces of war can be easily seen on the streets - not the main streets though. All the factories were destroyed wars with no possibility to be destroyed and their ruins today form a ghost district just 10 minutes drive from downtown.

The fifth city is the Soviet city, full of memories of Stalin's deportation of Chechens and Ingush to Kazakhstan in 1944, from where they could only return 13 years later. Everyone between 52 and 65 was born somewhere in Kazakhstan, Grozny does not have Chechens of that age, who can consider the city their motherland. And still them and their parents do not have the proper explanation why Stalin committed this act towards two small nations. The time after they were allowed to come back the majority of people remembers with warmth in their voices as the time without racial hatred when Russians, Jews, Chechens and all the other people from all over USSR could live friendly together in Grozny.

The sixth city is the city of ancient rituals that people managed to survived all the wars, conflicts and resettlements. Being mixed with Muslim traditions and modern lifestyle they give Grozny unique flavor.

We decided to work on this project in group of three, because, first, it still relatively unsafe to work on one's own in this area, which in many ways can be considered a hostile environment, and second, in a traditional Muslim male-dominated society, it's almost impossible for women to work one by one. We also generated the idea together and, finally, the amount of work is too big for one person to make all the research, to visit all the necessary places, take all the interviews, videos etc. Also, people are so afraid to speak that they prefer to express their thoughts in a way it really needs time to be ready to understand them totally, that's why the teamwork is essential to give our project the right message.

We also understood from the very beginning that there are many things that would be essential to show in our project, but for various reasons - oppression of journalists, people's fear to speak up, police scrutiny etc. That's why we knew from the very beginning that sound and small videos would be essential for us to show everything we find important.

Over the course of the next year we are planning a set of two-week trips to Grozny every month or two depending on events happening there, agreements on shoots being reached, weather conditions and political climate (it's pretty impossible to be based here now), cause at some point an outsider attracts too much attention.

We were already chosen finalists of the Aftermath Project with 9 Cities project, so by the end of 2010 we have to finish it, to have it featured in the Aftermath Project’s book, but we are planning to apply for more grants, to get at least some funding to sponsor the work. We hope that in the end, when everything is ready, we’ll also manage to organize the interactive exhibit, where we’ll show pictures, multimedia and videos. As we feel the work is more or less ready, we’ll start submitting it to photo festivals and contests.

The selection of pictures we present here, is the one we submitted for the Aftermath Project.

Response to Assignment Creating the narrative structure

Collaborative project of Olga Kravets, Maria Morina and Oksana Yushko "Dhikr"

Our multimedia project with the draft title Dhikr is a part of our ongoing work “Grozny: 9 cities”, showing the different aspects of life in the aftermath Chechen capital, that will consist of stills, multimedia and text parts. Dhikr is a Muslim religious practice, widespread in Chechnya. It looks like a religious dance, even though the participants say it’s not. We were shooting dhikr performed after the funeral of an old lady, so it was a form of prayer for her soul. Men were performing in the huge yard of the house, while the women were standing around and crying. Dhikr is a very emotional happening, with lots of energy spreading in the air, that even made us, non-Muslims, in a way willing to join the circle of rushing, jumping and saying the name of God.
After the dhikr we had a long conversation with the local religious leader Alu, who was leading all the ceremony and he was talking all about how Chechens want peace and that dhikr is one of the forms of praying for it. The religious leader was also saying that while the dhikr takes place, no bad things happen in the world. Meanwhile, as we drove back home, we got a call from our source in the law enforcement authorities, who said there was an explosion on the other side of Grozny, just about the time we held the conversation about dhikr and peace. Of course we were not allowed to shoot the place of explosion (we did not expect it even though we drove there), so we decided to use the text message we got, the sound of TV news on the local channel to go together with the dhikr shootings.

Basing on Todorov’s model, we can plan our multimedia this way: Stage 1: Black screen with a text about the controversial situation in Chechen Republic, where an aspiration for peace and urge for changing current order somehow exist at the same time. Text fades out, and we hear Alu’s voice, talking about peace and his beliefs. Stage 2: Starting very slowly, dhikr actually becomes a very loud and fast action and comes to the culmination, and then it transforms in the TV news broadcasting the consequence of explosion.
Stage 3: Showing ladies crying. Stage 4: As the dhikr comes to the end, it gets slow again. Stage 5: We come back to Alu talking about peace.

Response to Assignment Casting the characters

Collaborative project of Olga Kravets, Maria Morina and Oksana Yushko "Dhikr". Casting the characters:

In our multimeida about dhikr we don't feel that the whole Propp's structure needs to be used due to the type of the story we are making, but we tried to base our «casting» on it anyway.

The central characher is Alu, the religious leader, who, from one side, leads the ceremony itself, and from another – explains in the multimedia, what it's all about, gives all kind of information about it. A relative of him, who also provided some nice quotes, that can be used, we suppose, would be a helper/donor. As we wrote in the first task, there will be a part, that would show news footage of explosion, but anyway, we don't have the precise «villains», the terrorists, even though Alu tells about them. They become a methaphor, as well, as «princess», the ordinary people, in our case, who pray for peace while performing the dhikr. All these people in the circle, the dhikr performers, are not the mob scene. In fact they do appear as one collective impersonation of this «princess».

And we don't have neither dispatcher nor false hero.

Response to Assignment WEEK 3: POINT OF VIEW

Once more about consumerism.

Dear Sarah and Patrick,
there are some pictures in this post - most of them were shot before, because I've been thinking about that idea for a long time and always had it in my mind. There are no images about future yet so I am going to make them soon.
Please could you tell me if they fit to my idea.
Patrick, thank you once more for your title:)
Oksana

Response to Assignment Week 4: Project for Sale

Dear Sara and Patrick!
Many thanks for the subject matter, certainly, sometimes we have such difficulties with publications of our personal stories - it could be out of time, not topical or just it doesn't fit the policy of magazine, and so on.
I faced with that problem concerning my photostory about Kenozero.
It won some contests and was exhibited several times but it never been published, I was told that the story like this was only for exhibitions. But I really would like to see it published.

Synopsis:
Kenozero is the name of an area in the North of Russia lost among the forests and awful roads. Several ordinary villages are spread near the lake of the same name. Most are abandoned now, and nothing extraordinary is happening here. People live their daily life, they got used to unemployment and bad social conditions long ago. But man cannot live without hoping for the best, though most of us prefer to go with the flow just dreaming about better life. So do people in Kenozero.
(here with the captions http://youok.ru/index.php?/kenozero-dreams/)

Many thanks in advance for your comments and advices,
Oksana

Response to Assignment First assignment

Workshop: Project workshop

Grozny: 9 cities by Olga Kravets, Oksana Yushko, and Maria Morina

Grozny, the capital of war-torn Chechnya, is a melting pot for changing Сaucasus society - the society that is trying to overcome a post-trauma shock of two recent wars and find its own way of life in between traditional Сhechen values, Muslim tradition, to cope with rapidly changing role of a women, increasing contrast between rich and poor and political games.

We generated the idea of the project, being inspired by the idea by Thornthon Wilder's about 9 cities hidden in one, that we found in his book "Theophilus North". The main character of the book is making sort of anthropological research of a city looking for different aspects of its life. We felt it's what we need to explore such different aspects of afterwar life that Chechens are leading.

We've already spent almost 3 weeks in Grozny in November 2009, having started the work on the project (Olga Kravets is off to Grozny for New Year holidays as well, to carry on the shoot), and we've already figured out what our six cities would be. May be we will never find namely nine cities here, or may be we will show even more, because Grozny is the only place in Russia, which has been destroyed and rebuilt so many times, every time getting a new layer of existence. Chechens themselves say that they are used to having war every 50 years, and rebuilding their houses they know for sure that at some point they will be destroyed again.

First city is a modern city that one can find in downtown Grozny. It shows the aspiration of everyone to have a decent home and a normal life again, but in fact it's not what it seems from the first glance. Even though the authorities now are trying to present Grozny as a totally rebuilt, brand-new place, you still get advice not to come out at night (especially if you are a woman), and when one drives outside of downtown Grozny, it's still easy to see the destroyed houses, and their owners have to live in temporary housing facilities, which are either summer houses without heating or dormitories, where families of five or six people live in rooms of 20 square meters. Federal military forces are interested in carrying on security operations (the so-called cleanups), because they are paid extra for killing rebels, so in many cases they kill innocent people, who can not prove their innocence. The Chechen society is clan society, so people bare responsibility for the family members, who really become rebels, and so the presidential forces burn their houses down at the order of Ramzan Kadyrov, former warlord, who is now Moscow-backed regional leader.

Second city is the city of women. Chechen society is very traditional, but during the wars women's role changed dramatically. They acted as real heroes during two wars and now they want to carry on with it, opening their own businesses and leading in families, where husbands' psychic is so destroyed that they have no mental strength. But still, they are treated mainly as sexual objects, and for instance the violent tradition of kidnapping a bride is only seeing a revival after the war, because in many ways men feel that everything is allowed.

Third city is the opposite - the city of armed men. Even though Ramzan Kadyrov loves to say that the war in Chechnya is long over, almost everyone on the streets of Grozny carries a gun and wears the uniform. It's no longer the city that only belongs to federal forces, but the guns remain the symbol of instability. Also, to have a gun for a young man is the same way to show off such as a car for Western boys.

The fourth city is the city formed by the sequence of two wars. It's the city of pain, destruction, fear and aggression. People living in temporary housing facilities are angry that noone is paying attention to their problems anymore, because the officials love to say so much that the war is over. Mothers still mourn death of their children, no matter if they were civilians or rebels. The memories still hurt and the traces of war can be easily seen on the streets - not the main streets though. All the factories were destroyed wars with no possibility to be destroyed and their ruins today form a ghost district just 10 minutes drive from downtown.

The fifth city is the Soviet city, full of memories of Stalin's deportation of Chechens and Ingush to Kazakhstan in 1944, from where they could only return 13 years later. Everyone between 52 and 65 was born somewhere in Kazakhstan, Grozny does not have Chechens of that age, who can consider the city their motherland. And still them and their parents do not have the proper explanation why Stalin committed this act towards two small nations. The time after they were allowed to come back the majority of people remembers with warmth in their voices as the time without racial hatred when Russians, Jews, Chechens and all the other people from all over USSR could live friendly together in Grozny.

The sixth city is the city of ancient rituals that people managed to survived all the wars, conflicts and resettlements. Being mixed with Muslim traditions and modern lifestyle they give Grozny unique flavor.

We decided to work on this project in group of three, because, first, it still relatively unsafe to work on one's own in this area, which in many ways can be considered a hostile environment, and second, in a traditional Muslim male-dominated society, it's almost impossible for women to work one by one. We also generated the idea together and, finally, the amount of work is too big for one person to make all the research, to visit all the necessary places, take all the interviews, videos etc. Also, people are so afraid to speak that they prefer to express their thoughts in a way it really needs time to be ready to understand them totally, that's why the teamwork is essential to give our project the right message.

We also understood from the very beginning that there are many things that would be essential to show in our project, but for various reasons - oppression of journalists, people's fear to speak up, police scrutiny etc. That's why we knew from the very beginning that sound and small videos would be essential for us to show everything we find important.

Over the course of the next year we are planning a set of two-week trips to Grozny every month or two depending on events happening there, agreements on shoots being reached, weather conditions and political climate (it's pretty impossible to be based here now), cause at some point an outsider attracts too much attention.

We were already chosen finalists of the Aftermath Project with 9 Cities project, so by the end of 2010 we have to finish it, to have it featured in the Aftermath Project’s book, but we are planning to apply for more grants, to get at least some funding to sponsor the work. We hope that in the end, when everything is ready, we’ll also manage to organize the interactive exhibit, where we’ll show pictures, multimedia and videos. As we feel the work is more or less ready, we’ll start submitting it to photo festivals and contests.

The selection of pictures we present here, is the one we submitted for the Aftermath Project.

Response to Assignment Creating the narrative structure

Workshop: Multimedia storytelling fundamentals

Collaborative project of Olga Kravets, Maria Morina and Oksana Yushko "Dhikr"

Our multimedia project with the draft title Dhikr is a part of our ongoing work “Grozny: 9 cities”, showing the different aspects of life in the aftermath Chechen capital, that will consist of stills, multimedia and text parts. Dhikr is a Muslim religious practice, widespread in Chechnya. It looks like a religious dance, even though the participants say it’s not. We were shooting dhikr performed after the funeral of an old lady, so it was a form of prayer for her soul. Men were performing in the huge yard of the house, while the women were standing around and crying. Dhikr is a very emotional happening, with lots of energy spreading in the air, that even made us, non-Muslims, in a way willing to join the circle of rushing, jumping and saying the name of God.
After the dhikr we had a long conversation with the local religious leader Alu, who was leading all the ceremony and he was talking all about how Chechens want peace and that dhikr is one of the forms of praying for it. The religious leader was also saying that while the dhikr takes place, no bad things happen in the world. Meanwhile, as we drove back home, we got a call from our source in the law enforcement authorities, who said there was an explosion on the other side of Grozny, just about the time we held the conversation about dhikr and peace. Of course we were not allowed to shoot the place of explosion (we did not expect it even though we drove there), so we decided to use the text message we got, the sound of TV news on the local channel to go together with the dhikr shootings.

Basing on Todorov’s model, we can plan our multimedia this way: Stage 1: Black screen with a text about the controversial situation in Chechen Republic, where an aspiration for peace and urge for changing current order somehow exist at the same time. Text fades out, and we hear Alu’s voice, talking about peace and his beliefs. Stage 2: Starting very slowly, dhikr actually becomes a very loud and fast action and comes to the culmination, and then it transforms in the TV news broadcasting the consequence of explosion.
Stage 3: Showing ladies crying. Stage 4: As the dhikr comes to the end, it gets slow again. Stage 5: We come back to Alu talking about peace.

Response to Assignment Casting the characters

Workshop: Multimedia storytelling fundamentals

Collaborative project of Olga Kravets, Maria Morina and Oksana Yushko "Dhikr". Casting the characters:

In our multimeida about dhikr we don't feel that the whole Propp's structure needs to be used due to the type of the story we are making, but we tried to base our «casting» on it anyway.

The central characher is Alu, the religious leader, who, from one side, leads the ceremony itself, and from another – explains in the multimedia, what it's all about, gives all kind of information about it. A relative of him, who also provided some nice quotes, that can be used, we suppose, would be a helper/donor. As we wrote in the first task, there will be a part, that would show news footage of explosion, but anyway, we don't have the precise «villains», the terrorists, even though Alu tells about them. They become a methaphor, as well, as «princess», the ordinary people, in our case, who pray for peace while performing the dhikr. All these people in the circle, the dhikr performers, are not the mob scene. In fact they do appear as one collective impersonation of this «princess».

And we don't have neither dispatcher nor false hero.

Response to Assignment WEEK 3: POINT OF VIEW

Workshop: EDITORIAL PHOTOGRAPHY

Once more about consumerism.

Dear Sarah and Patrick,
there are some pictures in this post - most of them were shot before, because I've been thinking about that idea for a long time and always had it in my mind. There are no images about future yet so I am going to make them soon.
Please could you tell me if they fit to my idea.
Patrick, thank you once more for your title:)
Oksana

Response to Assignment Week 4: Project for Sale

Workshop: EDITORIAL PHOTOGRAPHY

Dear Sara and Patrick!
Many thanks for the subject matter, certainly, sometimes we have such difficulties with publications of our personal stories - it could be out of time, not topical or just it doesn't fit the policy of magazine, and so on.
I faced with that problem concerning my photostory about Kenozero.
It won some contests and was exhibited several times but it never been published, I was told that the story like this was only for exhibitions. But I really would like to see it published.

Synopsis:
Kenozero is the name of an area in the North of Russia lost among the forests and awful roads. Several ordinary villages are spread near the lake of the same name. Most are abandoned now, and nothing extraordinary is happening here. People live their daily life, they got used to unemployment and bad social conditions long ago. But man cannot live without hoping for the best, though most of us prefer to go with the flow just dreaming about better life. So do people in Kenozero.
(here with the captions http://youok.ru/index.php?/kenozero-dreams/)

Many thanks in advance for your comments and advices,
Oksana

Medium_1745894
City
Moscow
Profession
photographer
Specialisation
documentary photography, reportage
Place of work
freelance
Skype
oksanayushko
Phone
+79167284057
Date of Birth
07 Apr 1975