Hello, Bjarke!
Very interesting: I like your structuralist approach to visual things, it makes one forget about the context and see the story “from the outside”.
What I think about poverty roles:
“Heroes”, of course, must be poor people. They will struggle, they will have to overcome many difficulties, mostly loosing, but sometimes winning. Perhaps I would like Tanya from Cherepovets to be my protagonist. She works as cleaning woman in a school for 4000 rubles (about 130 dollar) a month. She has two children and an unemployed husband to support. They live altogether in a 11-meter room in a family dormitory. Tanya feels very sorry because she cannot give her children as much as her neighbors.
The Prince or the princess will be children, who are first to save. One of Tanya’s kids, Dima, has diabetes, his brother Tolik cannot find understanding among his age mates. Generally it’s the children who give government and social institutes information about families who need assistance – through schools, kindergartens and polyclinics.
“Helpers” could have been ambulance workers – but they are from another story and another city. I still think about including them into poverty story, because most of their clients are very poor. But rather as side characters. Tanya’s helpers in Cherepovets are Beautiful social girls from “Voskhozhdenie” (“Ascension”), a very good and professional NGO that helps so-called “problem families” to get out using their own potential. Beautiful social girls, mostly having psychological education, visit families at home, try to understand, what problem they have and how can they overcome it themselves. The “Ascension” program almost doesn’t give money to people, but it can help them to use benefits the government gives – they explain, how to get papers, how to put the child into a kindergarten and so on. So they are also a kind of “Dispatchers”, but not “Donors”.
I would like the Government to play the role of “Donor” in this story. It doesn’t give much to my heroes – in Russia you cannot really live on welfare – but still, if you can use its benefits rationally, you can live little bit better. The problem is that Government plays a punitive role as well: for example, so-called “social defence” service frequently takes children from parents and brings them to orphanages. They expect from families to fix their lives while children are away from them – but usually nobody does. So there is no surprise, that poor people have fear of government: my Beautiful social girls often help them to overcome this fear.
So in this quest the Government is a dreadful Dragon who watches over treasure. The hero’s challenge is to outwit the Dragon, to get the treasure and to go further. One of the dangers is to “fell asleep” right after that – (Tanya says: “I am looking to Dima’s pension” – that means, she is about to relax after she gets it)
“False hero” can be the “All-right society” that doesn’t feel any compassion to my heroes. Its position is “we all are poor” (which is, partially, true), but “they” (my heros, Tanya), “don’t know how to live” (which means, they live in the day, don’t count their expenses, they buy chocolate for children instead of bread) – that’s why they are not worthy of any aid.
Tanya’s neighbors help her and her children with some food, but at the same time they permanently criticize her, which prevents her of being confident and strong.
Now the most interesting question: Who will be the bad guy? To be honest, I don’t know. If I knew the answer, perhaps the issue wouldn’t be so interesting for me. Of course, the evident enemy of the underclass is alcohol, but I am sure the poverty problem is deeper.
I could construct the film as a crime story – “looking for the Bad Guy”. Than everything must be different:
The heroes must be Beautiful social girls, and the princes – their poor clients. During the development of the story we could have different versions of “Who is the Bad Guy?”: Employers? Government? Social defense service? Neighbors? Alcohol? Granddad Lenin? It can be also the City with its factories, desperate slums, gray yards and dormitories. Finally we could suspect the Princess herself to be her own enemy – but this answer cannot be definitive, too.
When I got to know Tanya she had just started to work with beautiful social girls. Unfortunately I have no opportunity to observe Tanya’s life all the time, but I will go to Cherepovets again soon – so I will be able to see how the situation will develop. At the same time I will be able to spend more time with beautiful social girls and with the official “dragons” – perhaps the roles will be determined better.
Sorry for long and chaotic explanation
What do you think?
All the best
Julia